Top Records 2024

Kendrick Lamar GNX image pgLang

1 Kendrick Lamar – GNX

2 Lalah Hathaway – Vantablack

 

3 Redd Kross

4 Jesus Lizard – Rack

5 Shabaka Hutchings – Perceive its beauty, acknowledge its grace

6 Kamasi Washington – Fearless Movement

7 Low Leaf – Red Moon

8 Amalie Dahl’s Dafnie – Står op med solen

9 Nx Worries – Why Lawd

10 Katharina Ernst and Schne – Kranetude

11 Sleepytime Gorilla Museum – Of the last human being

12 BAkUroSu – Sanctum

13 iSaintJames – This could be

14 Hermanos Gutiérrez – Sonido Cósmico

15 Beyoncé – Cowboy Carter 

16 Aquaserge – La fin de l’economie

17 Kokoroko – Get the message

18 Samara Joy – Portrait

19 Yorn’s Apostles – Festivities in your native language

20 Shackelton & Six Organs of Admittance – Jinxed by being

21 Magnum Innominandum – The back of beyond (suggested by Thom)

22 Sun Ra Arkestra – Lights on a Satalite

23 Dub Syndicate – Intercommunications

24 Ayra Starr – The Year I turned 21

25 Yasin Bey – Money Christmas

26 The Cure – Songs of a Lost World

27 The Messthetics and James Brandon Lewis

28 Joe McPhee/Ken Vandermark – Musings of a Bahamian Son

29 Beth Gibbons – Lives Outgrown

30 Steve Coleman and the Five Elements – Polytropos / Of Many Turns

Six Organs of Admittance @ AyurPrana Listening Room

Six Organs of Admittance in Asheville, NC

The artist known as Six Organs of Admittance (aka Ben Chasny) performed a solo set with support by local legend Tashi Dorji at the AyurPrana listening room in West Asheville on Wednesday, Nov. 6th. Chasny is known for bridging the gap between acoustic, space rock and esoteric chant music. Chasny’s resume includes the early naughties super group Comets on Fire, 200 years with Elisa Ambrogio of Magik Markers, Ragda; a trio including Chris Corsano and Sir Richard Bishop, August Born with Hiroyuki Usui (from Keiji Heino’s Fushitsusha) and Badgerlore among other projects.

Much of the Six Organs discography is deeply mellow and perhaps melancholy at times. Songs can sound as bright as Nick Drake at times, can lean on influences of Peter Hammil to Hawkwind to T. Rex and Bobby Conn, before diving into a trance and pulling you along for extended periods of a riff.

Chasny hails from the SF bay area. I recall seeing his electric band Six Organs of Admittance at a club called Bottom of the Hill. That band included members from Santa Cruz band Comets on Fire: Ethan Miller, Ben Flahsman and Noel Von Harmonson. I have also been an audience member at a couple of Rangda concerts who put on an amazing show. Wednesday featured a beautiful set of many new songs as well as some older songs, some known and some obscure. As mentioned before, label mate Tashi Dorji opened the evening with treatments for guitar, supporting his upcoming recording We will be wherever the fires are lit.

A truly special evening for all who attended. 

The Chameleons with The Veldt at Radio Room, Greenville, SC

The Chameleons are a legendary band from the 80’s post punk era. Distinctively, that means that they weren’t exactly new wave and were around before the term alternative music existed. I first became aware of them in 1989 after they had dissolved and the Sun and the Moon were fresh off of their release Le Soleil, La Lune 

We listened predominately to the first two Chameleons releases, but listened to Strange Times a few times as well. This was during my first stint at a record store in Hickory, NC called Selecter records. It was a cool Mom and Pop record shop who based their name and logo indirectly from the Selecter band. I learned a lot about music from those times and if I’m to be completely honest, I still do when I have visited their new shop, Records in the RAD in Asheville, NC.

This shop, and Oasis Limited records in Marshall are currently working through renovations after Hurricane Helene. So, please support these businesses upon reopening to help them make up for the months they had without income.

The Radio Room in Greenville, SC was the location of the Chameleons gig I attended. I walked in just as the opening act, The Veldt were playing what seemed to be their opening song, “Soul in a Jar”. I can remember seeing them perform in Raleigh at a concert for the Mission Valley shopping center back to school event for NCSU. Back then,  The group also performed songs from Illuminated 1989, a record that was produced by Robin Guthrie from the Cocteau Twins back from the year in the title.  At the time, the band ended up scrapping the release because the record industry didn’t understand the band. I believe that although although they drew from influences such as Love and Syd Barrett’s Pink Floyd, the record companies felt that bands should copy a genre whereas the Veldt were crafting their own creative sound. The band was featured on MTV’s 120 minutes when they released their subsequent recordings in the 1990’s and always have had an audience for fans of Shoegaze and 4AD. Currently, the group is performing with 4 guitars over percussion tracks.

The Veldt at the Radio Room

Over the years, I have missed the opportunity to see Mark Burgess solo and Chameleons Vox tours through the US. If I’m to be completely honest, had it not been for Hurricane Helene, I probably wouldn’t have attended the concert because it wasn’t in my own town. I did, however find myself with this opportunity to go to see the band that meant more to me than any of the bands often followed by their fans. The songs performed in Greenville included the entire Strange Times record as well as songs like In Shreds, Second Skin. Don’t Fall, Monkeyland and the new song Where are you? Although Strange Times is the record I perhaps listened to the least during the 2 years where I was most focused on the band’s genius, it is also just a  classic record. The band’s sound was crisp and tight. Burgess asked the audience at the end of the night if they felt this had been a memorable experience. The audience screamed with approval. Burgess, then said giving the audience a memory that might stay with them was their ultimate goal. This certainly had been achieved. 

The Chameleons- Second Skin

The crowd was a mixture of young and old. Many of the younger folks seemed to know the lyrics by heart for every song. In addition to frontman Mark Burgess, the group included Reg Smithies on Guitar, Stephen Rice on Guitar, Todd Demma on Drums and Danny Ashberry on Keyboards. The group has a new record they’re working on with producer Guy Massey, set to be released in 2025. Let’s hope the group is on tour prepping for a tour that will support this upcoming release in the US as well. If the group makes it to your town, you make sure you don’t miss your chance.